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Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father’s former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire’s exact opposite.
In Scotland 1874, Jack is born on the coldest day ever. Because of the extreme cold, his heart stops beating. The responsible midwife in Edinburgh finds a way to save him by replacing his heart with a clock. So he lives and remains under the midwife’s protective care. But he must not get angry or excited because that endangers his life by causing his clock to stop working. Worse than that, when he grows up, he has to face the fact he cannot fall in love because that too could stop his delicate heart.
‘The Midwife’ (fin.’Kätilö’) is a romance-drama set during WWII in Finland’s Lapland province, a major European battle ground of the war. Based on Katja Kettu’s bestselling novel, ‘The Midwife’ turns on the love affair between a Lapp midwife and a Nazi SS officer set against the backdrop of the Lapland War, which opposed Finnish and Germany armies in 1944-45. The themes in the story are international. It’s about conquering love and war, and class boundaries that are broken down.
Hla and Nyo Nyo live in a country torn by conflict. Hla is a Buddhist and the owner of a makeshift medical clinic in western Myanmar, where the Rohingya (a Muslim minority community) are persecuted and denied basic rights. Nyo Nyo is a Muslim and an apprentice midwife who acts as an assistant and translator at the clinic. Her family has lived in the area for generations, yet they are still considered intruders. Encouraged and challenged by Hla, who risks her own safety daily by helping Muslim patients, Nyo Nyo is determined to become a steady health care provider for her community.
The courageous young midwife Christine makes a pact with the devil to save her village from the brutal terror of the Teutonic Knights. Punished by a spider plague, Christine goes from savior to hunted.
An expectant couple heads to a remote cabin to have a natural childbirth, but comes under attack from a predatory midwife who will stop at nothing to snatch their unborn child from them.
After the sudden death of their midwife, an L.A. couple hires her hippie son to be their live-in doula.
Lena is a talented midwife and gynaecologist, her husband Serezha is an actor at a provincial drama theatre. They are close and gentle with each other, but there is no sex. Lena suspects that Serezha has an affair, but she worries quietly and does not reveal her jealousy. Instead of sorting out her relationship with her husband, Lena starts to betray him with chance acquaintances. Gradually Lena’s parallel life gets out of control and changes her original life.
Fearful of a prophecy stating that a girl child will be born to bring about her downfall, the evil Queen Bavmorda imprisons all pregnant women within the formidable stronghold of Nockmaar. A child, Elora Danan, is born in the Nockmaar dungeons and identified as the prophesied child by a birthmark on her arm. However, before the black sorceress arrives to claim the child, Elora’s mother convinces her reluctant midwife to escape with the baby. Willow, a timid farmer and aspiring sorcerer, is entrusted with delivering the royal infant from evil.
In 2012, one in three babies in America were delivered by c-section, despite the World Health Organization’s recommendation that Cesarean births remain below 15 percent. How can these disturbing trend be reversed? In recent years, the idea of a collaborative care practice where doctors and midwives manage women’s care together has begun to gain traction in the United States. The Mama Sherpas is a feature-length documentary film about women receiving their maternity care through midwife-doctor teams. We follow nurse midwives, the doctors they work with, and their patients to provide an investigative lens into how midwives work within the hospital system.
Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.